A Door Bell Blog
Eliza & Justine
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Photo reblogged from composite fantasy
Just a pool, disguised as a pond, with a trampoline instead of a diving board.
I wrote a paper about these kinds of pools several years ago for a class when they were just prototypes. These pools have a natural filtration system that run based on the plants that are in the pool that give the water nutrients that allow it to not only be crystal clear, but you are also able to drink the water because it becomes so clean. And the best part is that once the initial filtration system is installed and calibrated, it maintains itself and eliminates the need for chlorine or constant maintenance like salt water pools.
when i become rich…
(Source: wikingvinning)
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Photo reblogged from a bromantic comedy
“That’s right. Because you know, deep down… you deserve to be punished. Don’t you, Mr. Potter?”
I JUST SCREAMED AND KICKED MY LAPTOP
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Video reblogged from And all I loved, I loved alone.
Royal Family Harlem Shake
wHAT
I THOUGHT IT WAS GONNA BE FAKE BUT ITS NOT
The best Harlem Shake I’ve seen.
(Source: youtube.com)
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Photo reblogged from EYELOVECASEY
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Photoset reblogged from And all I loved, I loved alone.
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Photoset reblogged from Kristina's Lovely Things
Goddamn that looks incredible.
First look: Gabriel Dawe’s stunning new thread art in Italy.
Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como and is now open to the public only during cultural events and art exhibitions like this.
Plexus no. 19 consists of two thread structures streamed across an upper and lower balcony that is meant to be experienced from different angles or at different times of the day. As Dawe tells us, “When the sun comes in during the morning, it is fantastic. Having those window-shaped light beams add a dimension to the installation. I always like when I get direct sunshine on them because it emphasizes the layering of the thread in very interesting ways.”
With two assistants, he constructed this installation in about a week. His greatest challenge was working to the confines of the space. “Because of the historic nature of the building, I wasn’t able to touch ceiling, walls or floors to screw in my structures,” he says. “So I resorted to fixing them to the railings, which in great measure restricted what I was able to do. In the end, it worked out pretty well; it really exceeded my expectations how well the installation inhabits the space.”
Via My Modern Met.
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Photoset reblogged from And all I loved, I loved alone.
